Telling The Story

Michael at Reading A1 wonders why some Democrats seem skittish about Cindy Sheehan. I have wondered this too. It seems as if our side has a knee jerk fear of controversy. I think he correctly diagnoses the problem:

Every so often I'm brought up short by the "discomfort" within the operative class, current or wannabe, toward political demonstration—as if it would be slumming to stand on a hot tarmac with a bunch of sweaty people holding a sign; as if it showed a lack of that so-prized seriousness to speak in and with symbols, rather than engaging in policy debate. Cindy Sheehan is reminding us, we don't especially need policy debate right now. What we need, very badly need, are stories: and story is just what the theater of Camp Casey is giving us. The right-wing talking point—that Cindy Sheehan doesn't really want to engage in dialogue with George Bush, that her demand for the dialogue he won't give her (and wouldn't, even if he were improbably to meet with her) is a sort of playacting—is accurate, but beside the point. The relations of power are difficult to conceptualize, and can be even for people trained to do that sort of thing. There is nothing difficult, on the other hand, about the mother of a dead soldier standing ignored at the end of the man's driveway who sent her son to be killed, waiting stoically in the Texas sun for an answer she knows will never come. Nor is there anything about it that doesn't speak volumes of truth to the ugly situation in which we find our country, five years on in the Rove/Cheney regime.

I'm flabbergasted that anybody on the left has even a moment's hesitation about this, has the least qualm about making use of the gift of symbol Cindy Sheehan is presenting us.


Politically, nothing could be more important for Democrats than to tell the story of Iraq in human terms.

The president got himself re-elected with this image:

As music blared from stadium loudspeakers, Marine One, the presidential helicopter, carrying Bush, his brother, Gov. Jeb Bush, and first lady Laura Bush, landed in left field, dusting some of the 10,000 cheering supporters with dirt from the warning track. Bush emerged to the theme of the movie Top Gun.

"The choice in this election could not be clearer," Bush said from a podium set up on second base. "You cannot lead our nation to the decisive victory on which the security of every American family depends if you do not see the true dangers of the post-Sept. 11 world.


Political theatre works. If people could be politically persuaded by civilized debate, the Lehrer News Hour would be the highest rated news show on television. Most people need drama, excitement, pathos, catharsis --- on some level their emotions have to connect with their minds in order to understand.

Up to now, the story of Iraq has been told through the prism of American might and glory. It was a stirring tale. Unfortunately, the story of Iraq isn't really a story of might and glory; it's a story of arrogance, incompetence and human suffering. That's the story that Cindy embodies as she stands out there in the hot sun, surrounded by supporters, asking the president to answer the question for which he has no answer.

The spectacles of 9/11 and Iraq are over. Even the war supporters are singing a different tune now ---- the swashbuckling "I-raq 'n Roll" has given way to the mournful "Arlington." Cindy Sheehan's story is the story of that shift in the zeitgeist. We do not need to be afraid of this; it's good for the country.



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