Saturday Night At The Movies

Krill, baby…krill

By Dennis Hartley














Disney’s
Oceans: Straight outta Fantasia


Those who dwell, as scientists or laymen, among the beauties and mysteries of the earth are never alone or weary of life.
-Rachel Carson, author of The Sea Around Us


We forget that the life cycle and the water cycle are one.
-Jacques Yves Cousteau, author of Silent World

Oops.
-Joseph Hazelwood, captain of the Exxon Valdez

In their magnificent documentary, Oceans, directors Jacques Perrin and Jacques Cluzaud don’t need to hit us over the head with cautionary rhetoric about mankind’s tendency to perennially poison the precious well of life that covers three-quarters of our planet with pollution, overfishing and unchecked oil exploration. Any viewer, who becomes immersed in the film’s stunningly photographed portrait of the delicately balanced aquatic ecosystem, yet fails to feel a connectedness to the omniverse we cohabit with it (and a resulting sense of shared responsibility) surely has something missing in their soul.

More aqueous 2001 - A Space Odysseythan Discovery Channel nature romp, the film follows a narrative path reminiscent of Perrin and Cluzaud’s previous effort, Winged Migration; which is to say, a decidedly non-linear approach to their subject. In that 2001 film, the directing team (along with Michael Debats) introduced audiences to a whole new paradigm in the nature doc genre. The innovative, state of the art cinematography conveyed a bird’s eye view of, well, a bird’s world, that literally made you feel like a member of the flock, completely disaffected by gravity and those other pesky laws of physics which conspire to keep we bipedal types earthbound. The narration was sparse, poetic, at times approaching stream of consciousness. As corny as it may sound, I felt like I had truly bonded with the avian “protagonists” by the end of the film. Ditto for Oceans.

Not that one normally “bonds” with a cuttlefish or a mantis shrimp in a conventional sense, mind you. However, if your contemplation of marine biology rarely extends beyond schlepping the occasional Mrs. Paul’s Breaded Fish Filet from the freezer to the microwave, this film will be a guaranteed eye-opener for you. Granted, some of the scenarios have been covered in other nature documentaries (orcas snatching seals right off the beach, newborn sea turtles making a desperate break for the surf through a gauntlet of predators, and the requisite footage of everyone’s favorite anthropomorphic Antarctic marine animals-although the wacky penguin antics are kept mercifully brief ).

That being said, there are some truly unique, exquisitely rendered sequences in the film as well. A pod of humpback whales, breaching majestically in Alaska’s Prince William Sound. A vast army of spider crabs (seemingly numbering in the tens of thousands) scuttling about the ocean floor en masse. A massive ball of sardines, becoming decimated simultaneously from above and below by lightning-fast dolphins and dive-bombing sea birds. And in the film’s most sublime moment, an unexpectedly balletic display of maternal tenderness by a walrus, gently coddling her calf through his first undersea swim.

I would dearly love to see the European cut of the film, which apparently runs 14 minutes longer than the U.S. release; mainly because I’m quite curious to see what Disney has excised. According to some reports, the chopped footage concerns our negative impact on the marine ecosystem. There is some extrapolation along those lines (endangered species entangled in tuna nets, satellite photos that clearly reveal ominously dark tentacles of pollution snaking the globe through every major body of water, etc.) but it does seem perfunctory in the U.S. cut. The narration by Pierce Brosnan, while competent, doesn’t carry the gravitas that this type of meditation cries out for. Those few quibbles aside, I feel that this film is well worth your time. And as that huge oil leak in the Gulf of Mexico continues unabated, this rumination about what is at stake could not be much timelier.

Previous posts with related themes:

Darwin
Ponyo, on the Cliff by the Sea


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