On the ground in Tahrir Square

On The Ground In Tahrir Square

by digby

If you're like me you've been watching this surreal footage of men on camels and horses beating the Egyptian anti-government forces with whips and bats with a mixture of awe and horror. But nothing evokes the feeling of the scene like this story from journalist Graeme Wood in The Atlantic:

The protesters pushed back the pro-Mubarak crowd. Some of their charges (it really looked like a Civil War battle charge designed to overrun an enemy position) were so intense that I feared for the pro-government crowd's safety. That worry rapidly vanished. The pro-Mubarak group turned out to have great strategic depth, reaching all the way back to the Nile and beyond, and with sheer numbers it pushed forward, gradually rushing past the protesters and me. The Mubarak forces screamed "Yes Mubarak," and the protesters alternated between "Leave!" and "God is Great!" -- with the latter noticeably favored during moments when the protesters had the initiative. The injured were carried back, most with bloody head wounds. Seven middle-aged men stood in prayer next to a tank during the height of the stone-volleys, remarkably placid-looking, like the string quartet fiddling as the Titanic went down.

Gradually, near the entrance to the Egyptian Museum, each side began to realize that neither faction would be overrun completely. Entrenchment began, and a no-man's-land of about a hundred yards opened up. I stood there in the middle, taking video, dodging rocks coming from the side I could see and holding my notebook to cover the side I couldn't. Then, right by the Egyptian Museum entrance, five men in plainclothes grabbed me, hit me three times, twice in the back and once in the chest, and brought me toward the Museum itself. They grabbed my video camera and still camera, shouting "memory card," and tried to break it when they couldn't figure out how to remove it. Then two of them grabbed my arms and ejected me from the square, onto the Nile corniche, which was so calm that the first person I met was a newspaper journalist who had to ask me whether we were among Mubarak supporters or protesters.

I don't know whether he stayed, but if he waited another half hour his uncertainty about the sentiments of the crowd around us would evaporate. The pro-Mubarak group flooded the square, and its strategy became clear: All the entrances to the plaza were being probed and, if found lightly defended, overrun. I was now on the outside among the forward surge; no one was permitted to leave, but a trickle of captured protesters came out, each surrounded by at least a hundred screaming Mubarak supporters, and being beaten so intensely that I couldn't see their faces, only a circle of waving sticks and fists, raining down on whatever unfortunate was at the center. One female protester was brought out, thrashed, and delivered to a military unit inside the Egyptian Museum grounds.
read the whole thing.

Keep in mind that the Egyptian police are well known to infiltrate protests and create their own in order to keep up a pretense of free speech and dissent. They are good at this.

The other day I wrote a post featuring the impressions and photos from photographer David Degner at BagNewsNotes in which he wrote:

“So, what is so significant about the photo from Wednesday is that it possibly represents the last vestige of the old paradigm, of the exploitative tactics with policemen in a circle letting a show of protest go on. As of now, that system is gone. You do have to walk around the tanks to get into Tahrir Square right now, but once you’re in, it’s a free game. You can say anything you want. You can lead chants. It’s completely different.”

It's possible that the old "show protests" are over. But it appears a new one's taken their place.


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