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Denofcinema.com: Saturday Night at the Movies by Dennis Hartley review archive

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Hullabaloo


Saturday, April 23, 2016

 
Shaker meets Quaker: Elvis & Nixon **½


By Dennis Hartley











While the line dividing politics from show-biz has always been tenuous, the White House meeting between Elvis Aaron Presley and Richard Milhous Nixon in 1970 remains one of the more surreal moments in United States presidential history. From Smithsonian.com:
Around noon, Elvis arrived at the White House with Schilling and bodyguard Sonny West, who'd just arrived from Memphis. Arrayed in a purple velvet suit with a huge gold belt buckle and amber sunglasses, Elvis came bearing a gift—a Colt .45 pistol mounted in a display case that Elvis had plucked off the wall of his Los Angeles mansion.
Which the Secret Service confiscated before Krogh escorted Elvis—without his entourage—to meet Nixon.
"When he first walked into the Oval Office, he seemed a little awe-struck," Krogh recalls, "but he quickly warmed to the situation."
While White House photographer Ollie Atkins snapped photographs, the president and the King shook hands. Then Elvis showed off his police badges 
Nixon's famous taping system had not yet been installed, so the conversation wasn't recorded. But Krogh took notes: "Presley indicated that he thought the Beatles had been a real force for anti-American spirit. The President then indicated that those who use drugs are also those in the vanguard of anti-American protest."
"I'm on your side," Elvis told Nixon, adding that he'd been studying the drug culture and Communist brainwashing. Then he asked the president for a badge from the Bureau of Narcotics and Dangerous Drugs.
"Can we get him a badge?" Nixon asked Krogh. 
Krogh said he could, and Nixon ordered it done.
Elvis was ecstatic. "In a surprising, spontaneous gesture," Krogh wrote, Elvis "put his left arm around the President and hugged him."
I’ll bet you thought E was going to say, “Thank ya, sir…thankyahveramuch.” Amirite?


He very well may have, but since there is no verbatim transcript, it’s up for conjecture. Which brings us to Liza Johnson’s featherweight yet passably entertaining Elvis & Nixon.


Co-writers Joey Sagal (who, interestingly, played an Elvis-like character for the premiere run of Steve Martin’s play Picasso at the Lapin Agile), Hanala Sagal, and Cary Elwes frame their screenplay with the most oft-recounted anecdotal lore surrounding the meet, shored up by a fair amount of creative license. Of course, this device (nowadays referred to as “fan fiction”) is nothing new. There have been a number of such explorations done on both figures; at least one featuring them together (the 1997 TV film Elvis and Nixon).


What makes this romp eminently watchable are its two leads: Michael Shannon (as Elvis) and Kevin Spacey (as Nixon). While this is far from a career highlight for either, they both have the chops to rise above the uneven script and carry the day. It does take a bit of acclimation to accept the hulking Shannon as Elvis; but he is subtle enough as a character actor to convincingly transform himself into The King, despite the fact that he doesn’t even bear a remote physical resemblance to his real-life counterpart (neither does Spacey, for that matter, but he utilizes his gift for voice mimicry to really capture Nixon to a tee).


The film is essentially farcical in tone, but there are brief flashes of pathos. In a scene recalling De Niro’s “who am I?” dressing room soliloquy at the end of Raging Bull, Shannon gazes into a mirror and laments about how disassociated he feels from “Elvis” the legend. It’s a genuinely touching moment. Spacey gets to flex his instrument in a monolog where he reflects to Elvis on their commonalities; how both men rose up from humble roots to achieve greatness (yes, I know...depends on how you define “greatness”).


It’s based on historical fact, but not exactly what I would call revelatory in any way. You may forget what you’ve just watched by the time you get back to your car, but political junkies will get a few good laughs along the way. There are stretches where the film threatens to morph into a glorified SNL sketch, but at a relatively short running time of 87 minutes, it’s over before you know it. If only I could say the same for the 2016 election…


Previous posts with related themes:







More reviews at Den of Cinema



--Dennis Hartley