HOME



Digby's Hullabaloo
2801 Ocean Park Blvd.
Box 157
Santa Monica, Ca 90405



Facebook: Digby Parton

Twitter:
@digby56
@Gaius_Publius
@BloggersRUs (Tom Sullivan)
@spockosbrain



emails:
Digby:
thedigbyblog at gmail
Dennis:
satniteflix at gmail
Gaius:
publius.gaius at gmail
Tom:
tpostsully at gmail
Spocko:
Spockosbrain at gmail
tristero:
Richardein at me.com








Infomania

Salon
Buzzflash
Mother Jones
Raw Story
Huffington Post
Slate
Crooks and Liars
American Prospect
New Republic
Common Dreams
AmericanPoliticsJournal
Smirking Chimp
CJR Daily
consortium news

Blog-o-rama

Eschaton
BagNewsNotes
Daily Kos
Political Animal
Driftglass
Firedoglake
Taylor Marsh
Spocko's Brain
Talk Left
Suburban Guerrilla
Scoobie Davis
Echidne
Electrolite
Americablog
Tom Tomorrow
Left Coaster
Angry Bear
oilprice.com
Seeing the Forest
Cathie From Canada
Frontier River Guides
Brad DeLong
The Sideshow
Liberal Oasis
BartCop
Juan Cole
Rising Hegemon
alicublog
Unqualified Offerings
Alas, A Blog
RogerAiles
Lean Left
Oliver Willis
skippy the bush kangaroo
uggabugga
Crooked Timber
discourse.net
Amygdala
the talking dog
David E's Fablog
The Agonist


Denofcinema.com: Saturday Night at the Movies by Dennis Hartley review archive

01/01/2003 - 02/01/2003 02/01/2003 - 03/01/2003 03/01/2003 - 04/01/2003 04/01/2003 - 05/01/2003 05/01/2003 - 06/01/2003 06/01/2003 - 07/01/2003 07/01/2003 - 08/01/2003 08/01/2003 - 09/01/2003 09/01/2003 - 10/01/2003 10/01/2003 - 11/01/2003 11/01/2003 - 12/01/2003 12/01/2003 - 01/01/2004 01/01/2004 - 02/01/2004 02/01/2004 - 03/01/2004 03/01/2004 - 04/01/2004 04/01/2004 - 05/01/2004 05/01/2004 - 06/01/2004 06/01/2004 - 07/01/2004 07/01/2004 - 08/01/2004 08/01/2004 - 09/01/2004 09/01/2004 - 10/01/2004 10/01/2004 - 11/01/2004 11/01/2004 - 12/01/2004 12/01/2004 - 01/01/2005 01/01/2005 - 02/01/2005 02/01/2005 - 03/01/2005 03/01/2005 - 04/01/2005 04/01/2005 - 05/01/2005 05/01/2005 - 06/01/2005 06/01/2005 - 07/01/2005 07/01/2005 - 08/01/2005 08/01/2005 - 09/01/2005 09/01/2005 - 10/01/2005 10/01/2005 - 11/01/2005 11/01/2005 - 12/01/2005 12/01/2005 - 01/01/2006 01/01/2006 - 02/01/2006 02/01/2006 - 03/01/2006 03/01/2006 - 04/01/2006 04/01/2006 - 05/01/2006 05/01/2006 - 06/01/2006 06/01/2006 - 07/01/2006 07/01/2006 - 08/01/2006 08/01/2006 - 09/01/2006 09/01/2006 - 10/01/2006 10/01/2006 - 11/01/2006 11/01/2006 - 12/01/2006 12/01/2006 - 01/01/2007 01/01/2007 - 02/01/2007 02/01/2007 - 03/01/2007 03/01/2007 - 04/01/2007 04/01/2007 - 05/01/2007 05/01/2007 - 06/01/2007 06/01/2007 - 07/01/2007 07/01/2007 - 08/01/2007 08/01/2007 - 09/01/2007 09/01/2007 - 10/01/2007 10/01/2007 - 11/01/2007 11/01/2007 - 12/01/2007 12/01/2007 - 01/01/2008 01/01/2008 - 02/01/2008 02/01/2008 - 03/01/2008 03/01/2008 - 04/01/2008 04/01/2008 - 05/01/2008 05/01/2008 - 06/01/2008 06/01/2008 - 07/01/2008 07/01/2008 - 08/01/2008 08/01/2008 - 09/01/2008 09/01/2008 - 10/01/2008 10/01/2008 - 11/01/2008 11/01/2008 - 12/01/2008 12/01/2008 - 01/01/2009 01/01/2009 - 02/01/2009 02/01/2009 - 03/01/2009 03/01/2009 - 04/01/2009 04/01/2009 - 05/01/2009 05/01/2009 - 06/01/2009 06/01/2009 - 07/01/2009 07/01/2009 - 08/01/2009 08/01/2009 - 09/01/2009 09/01/2009 - 10/01/2009 10/01/2009 - 11/01/2009 11/01/2009 - 12/01/2009 12/01/2009 - 01/01/2010 01/01/2010 - 02/01/2010 02/01/2010 - 03/01/2010 03/01/2010 - 04/01/2010 04/01/2010 - 05/01/2010 05/01/2010 - 06/01/2010 06/01/2010 - 07/01/2010 07/01/2010 - 08/01/2010 08/01/2010 - 09/01/2010 09/01/2010 - 10/01/2010 10/01/2010 - 11/01/2010 11/01/2010 - 12/01/2010 12/01/2010 - 01/01/2011 01/01/2011 - 02/01/2011 02/01/2011 - 03/01/2011 03/01/2011 - 04/01/2011 04/01/2011 - 05/01/2011 05/01/2011 - 06/01/2011 06/01/2011 - 07/01/2011 07/01/2011 - 08/01/2011 08/01/2011 - 09/01/2011 09/01/2011 - 10/01/2011 10/01/2011 - 11/01/2011 11/01/2011 - 12/01/2011 12/01/2011 - 01/01/2012 01/01/2012 - 02/01/2012 02/01/2012 - 03/01/2012 03/01/2012 - 04/01/2012 04/01/2012 - 05/01/2012 05/01/2012 - 06/01/2012 06/01/2012 - 07/01/2012 07/01/2012 - 08/01/2012 08/01/2012 - 09/01/2012 09/01/2012 - 10/01/2012 10/01/2012 - 11/01/2012 11/01/2012 - 12/01/2012 12/01/2012 - 01/01/2013 01/01/2013 - 02/01/2013 02/01/2013 - 03/01/2013 03/01/2013 - 04/01/2013 04/01/2013 - 05/01/2013 05/01/2013 - 06/01/2013 06/01/2013 - 07/01/2013 07/01/2013 - 08/01/2013 08/01/2013 - 09/01/2013 09/01/2013 - 10/01/2013 10/01/2013 - 11/01/2013 11/01/2013 - 12/01/2013 12/01/2013 - 01/01/2014 01/01/2014 - 02/01/2014 02/01/2014 - 03/01/2014 03/01/2014 - 04/01/2014 04/01/2014 - 05/01/2014 05/01/2014 - 06/01/2014 06/01/2014 - 07/01/2014 07/01/2014 - 08/01/2014 08/01/2014 - 09/01/2014 09/01/2014 - 10/01/2014 10/01/2014 - 11/01/2014 11/01/2014 - 12/01/2014 12/01/2014 - 01/01/2015 01/01/2015 - 02/01/2015 02/01/2015 - 03/01/2015 03/01/2015 - 04/01/2015 04/01/2015 - 05/01/2015 05/01/2015 - 06/01/2015 06/01/2015 - 07/01/2015 07/01/2015 - 08/01/2015 08/01/2015 - 09/01/2015 09/01/2015 - 10/01/2015 10/01/2015 - 11/01/2015 11/01/2015 - 12/01/2015 12/01/2015 - 01/01/2016 01/01/2016 - 02/01/2016 02/01/2016 - 03/01/2016 03/01/2016 - 04/01/2016 04/01/2016 - 05/01/2016 05/01/2016 - 06/01/2016 06/01/2016 - 07/01/2016 07/01/2016 - 08/01/2016 08/01/2016 - 09/01/2016 09/01/2016 - 10/01/2016 10/01/2016 - 11/01/2016 11/01/2016 - 12/01/2016 12/01/2016 - 01/01/2017 01/01/2017 - 02/01/2017 02/01/2017 - 03/01/2017 03/01/2017 - 04/01/2017 04/01/2017 - 05/01/2017 05/01/2017 - 06/01/2017 06/01/2017 - 07/01/2017 07/01/2017 - 08/01/2017 08/01/2017 - 09/01/2017 09/01/2017 - 10/01/2017


 

This page is powered by Blogger. Isn't yours?

Hullabaloo


Saturday, February 11, 2017

 
Saturday Night at the Movies

Funny about love: Top 10 Romantic Comedies


By Dennis Hartley










With Valentine’s Day nearly upon us, I thought that I would share my top ten favorite romantic comedies with you tonight. So in a non-ranking alphabetical order, here we go:













Amelie-Yes, I know this film has its share of detractors (who are nearly as passionate as Nickelback haters), but Jean-Pierre Juenet’s beautifully realized film has stolen my heart for life. Audrey Tautou literally lights up the screen as a gregarious loner who decides to become a guardian angel (sometimes benign devil) and commit random acts of anonymous kindness. The plight of Amelie’s people in need is suspiciously similar to her own…those who need a little push to come out of self-imposed exiles and revel in life’s simple pleasures. Of course, our heroine is really in search of her own happiness and fulfillment. Does she find it? You’ll have to see for yourself. Whimsical, inventive, life-affirming, and wholly original, Amelie should melt the most cynical of hearts (in theory).












Gregory’s Girl– Scottish writer-director Bill Forsyth’s delightful examination of first love follows gawky teenager Gregory (John Gordon Sinclair) as he goes gaga over Dorothy (Dee Hepburn), a fellow soccer player on the school team. Gregory receives advice from an unlikely mentor, his little sister (Allison Forster). While his male classmates put on airs about having deep insights about the opposite sex, they are just as clueless as he. Forsyth gets a lot of mileage out of a basic truth about adolescence-the girls are usually light years ahead of the boys in getting a handle on the mysteries of love. Not as precious as you might think, as Forsyth is a master of low-key anarchy and understated irony. You may have trouble navigating those Scottish accents, but it’s worth the effort. Also with Clare Grogan, whom music fans may recall as the lead singer of 80s new wavers Altered Images, and Red Dwarf fans may recognize as “Kristine Kochanski”.











Play it Again, Sam – I don’t know what it is about this particular Woody Allen vehicle (directed by Herbert Ross), but no matter how many times I have viewed it over the years, I laugh just as hard at all the one-liners as I did the first time I saw it. Annie Hall and Manhattan may be his most highly lauded and artistically accomplished projects, but for pure “laughs per minute”, I would nominate this 1972 entry, with a screenplay adapted by Allen from his own original stage version. Allen portrays a film buff with a Humphrey Bogart obsession. He fantasizes that he’s getting pointers from Bogie’s ghost (played to perfection by Jerry Lacy) who advises him on how to “be a man” and attract the perfect mate. He receives some more pragmatic assistance from his best friends, a married couple (Diane Keaton and Tony Roberts) who fix him up with a series of women (the depictions of the various dating disasters are hilarious beyond description). A classic.









Modern Romance (1981) – In his best romantic comedy (co-written by frequent collaborator Monica Johnson), writer-director Albert Brooks (the inventor of “cringe” comedy) casts himself as a film editor who works for American International Pictures. His obsessive-compulsiveness makes him great at his job, but a pain-in-the-ass to his devoted girlfriend (Kathryn Harrold), who is becoming exasperated with his penchant to impulsively break up with her one day, then beg her to take him back the next. There are many inspired scenes, particularly a sequence where a depressed Brooks takes Quaaludes and drunk dials every woman he’s ever dated (like Bob Newhart, Brooks is a master of “the phone bit”). Another great scene features Brooks and his assistant editor (the late Bruno Kirby, in one of his best roles) laying down Foley tracks in the post-production sessions for a cheesy sci-fi movie. Brooks’ brother, Bob Einstein (a regular on Curb Your Enthusiasm) has a wry cameo as a sportswear clerk. Also with George Kennedy (as “himself”) and real-life film director James L. Brooks (no relation) playing Brooks’ boss.











Next Stop, Wonderland – Writer/director Brad Anderson’s intelligent and easygoing fable about love and serendipity made me a Hope Davis fan for life. Davis plays a laid back Bostonian who finds her love life set adrift after her pompous environmental activist boyfriend (Philip Seymour Hoffman) suddenly decides that dashing off to save the earth is more important than sustaining their relationship. Her story is paralleled with that of a charming and unassuming single fellow (Alan Gelfant) who aspires to become a marine biologist. Both parties find themselves politely deferring to well-meaning friends and relatives who are constantly trying to fix them up with dates. I don’t think it’s a spoiler to tell you that these two may be destined to end up together. The film seems to have been inspired by A Man and a Woman, right down to its breezy bossa nova/samba soundtrack.












She’s Gotta Have It – “Please baby please baby please baby please!” One of director Spike Lee’s earlier, funny films (his debut, actually). A sexy, hip, and fiercely independent young woman (Tracy Camilla Johns) juggles relationships with three men, who are all quite aware of each other’s existence. Lee steals his own film by casting himself as the goofiest and most memorable of the three suitors- “Mars”, a trash-talking version of the classic Woody Allen nebbish. Lee milks laughs from the huffing and puffing by the competing paramours, as each jockeys for the alpha position (and makes some keen observations regarding sexist machismo and male vanity). Spike’s dad Bill Lee composed a lovely jazz-pop score. An influential milestone for modern indie cinema.











Sherman’s March – Documentary filmmaker Ross McElwee is truly one of America’s hidden treasures. A genteel Southern neurotic (Woody Allen meets Tennessee Williams), McElwee has been documenting his personal life since the mid 70’s and managed to turn all that footage into some of the funniest and most thought-provoking films that most people have never seen. Viewers weaned on reality TV and Snapchat may wonder “what’s the big deal about one more schmuck making glorified home movies?” but they would be missing an enriching glimpse into the human condition. Sherman’s March actually began as a history piece, a project aiming to retrace the Union general’s path of destruction through the South during the Civil War, but somehow ended up as rumination on the eternal human quest for love and acceptance, filtered through McElwee’s personal search for the perfect mate. Despite its daunting 3 hour length, I’ve found myself returning to this film for repeat viewings over the years, and enjoying it just as much as the first time I saw it. The unofficial “sequel”, Time Indefinite, is worth a peek as well.














Someone to Love (1987) – The perfect Valentine’s Day movie…for dateless singles. Writer-director Henry Jaglom’s films tend to polarize viewers; his work is highly personal, usually steeped in navel-gazing reviews of his own relationships with women. In Someone to Love, Jaglom plays (surprise surprise) a film director, who invites all of his friends who are currently “in between” relationships to join him at a condemned movie theatre on Valentine’s Day for a get-together. Once they arrive, Jaglom admits a small deception-he wants each to explain why they think they are alone on Valentine’s Day, and he wants to document the proceedings on film. Very talky-but fascinating. Featuring Andrea Marcovicci (who had recently broken up with Jaglom at the time of filming), Sally Kellerman, musician Steven Bishop, and, erm, Orson Welles (don’t ask).












The Tall Guy –Deftly directed by British TV comic Mel Smith with a high-brow/low-brow blend of sophisticated cleverness and riotous vulgarity (somehow he makes it work), this is the stuff cult followings are made of. Jeff Goldblum is an American actor working on the London stage, who is love struck by an English nurse (Emma Thompson). Rowan Atkinson is a hoot as Goldblum’s employer, a London stage comic beloved by his audience but an absolute backstage terror to cast and crew. The most hilariously choreographed sex scene ever put on film alone is worth the price of admission; and the extended set-piece, a staged musical version of The Elephant Man (a brilliant takeoff on Andrew Lloyd Webber) had me on the floor. This underrated gem is required viewing.








Two for the Road – A swinging 60s version of Scenes from a Marriage. Director Stanley Donen (Singin’ in the Rain) whips up a cinematic soufflé; folding in a sophisticated script by Frederick Raphael, a generous helping of Albert Finney and Audrey Hepburn, a dash of colorful European locales, and topping it with a cherry of a score by Henry Mancini. Donen follows the travails of a married couple over the years of their relationship, by constructing a series of non-linear flashbacks and flash-forwards (a structural device that has been utilized since by other filmmakers, but rarely as effectively). While there are a lot of laughs, Two For the Road is, at its heart, a thoughtful meditation on the nature of love and true commitment. Finney and Hepburn have an electric on-screen chemistry.

A few more recommendations:

A Summer’s Tale
Blind Dates
2 Days in New York
Your Sister’s Sister
Tokyo Pop
Midnight in Paris
A Matter of Size
Delicatessen

More reviews at Den of Cinema


--Dennis Hartley